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寮虹儓鎺ㄨ崘鍨?/strong>錛?/p> 鍜變滑鑷鐨勭墖瀛愬厛鎺ㄨ崘錛氥婄洸灞便?/p> 鐪嬬洸灞憋紝璁╂垜鎯寵搗Michael Moore錛屾垜涓鐩磋涓猴紝涓ヨ們棰樻潗鐨勭數(shù)褰辨湰韜氨鏄數(shù)褰卞瓨鍦ㄧ殑鎰忎箟鎵鍦紝鎴戜滑闇瑕佺敤褰卞儚鐪熷疄鐨勮褰曡繖涓椂浠o紝鎴戜滑闇瑕佽繖浜涒滃喎鍚嶄漢鈥濓紝浠栦滑涔熻涓嶆槸鍚嶅埄鍦虹殑瀹犲効錛屼絾鏄粬浠竴鏍蜂細鏈夋棤鏁板枩嬈粬浠殑浜?/p> 銆婃垜鍦ㄤ紛鏈楅暱澶с?/p> 鍚富浜哄叕鐜涘槈濞撳〒閬撴潵錛屼紛鏈楃ぞ浼氱殑鍙樿縼錛屼緷紼鍙互鐪嬪埌鎴戜滑鐨勫獎瀛愶紝褰辯墖娌℃湁鍘昏按璐f垨鑰呭弽鐪佹垨鑰呬粈涔堥珮娣辯殑绔嬫剰錛屽彧鏄鍛婅瘔浣犺繖涓ぞ浼氱殑鏍峰瓙 銆婅繘閫緇磋胺銆?/p> 鍙鏄疨aul Haggis錛岄兘鍊煎緱浣犲叧娉紝鍛靛懙錛屽弽鎴樼殑鐗囧瓙錛屾垜鎰熻姣斾箣鍓嶇殑鎾炶濺鏈夎繃涔嬭屾棤涓嶅強錛屼笉鐭ヤ負鍟ユ尯鍐風殑錛孴ommy搴旇鎻愬悕鏈浣崇敺婕斿憳錛屼笉榪囦粬濂藉儚璇勮佹棤鎵渚濇彁鍚?/p> 銆婂伔蹇冦?/p> 鑰佺墖瀛愶紝鐪嬪惂錛屼笉鍚庢?zhèn)斿Q岀埍姝昏繖涓簿鐏靛彜鎬殑Natalie浜嗭紝鍝堝搱錛岀湡鐪熷亣鍋囪皝鍙堣兘鍒嗗緱娓呮鍛?/p> 銆婅佹棤鎵渚濄?/p> 閭d釜鍍靛案鐢峰疄鍦ㄥお閰蜂簡錛孴ommy浠婂勾涔熸尯鐏殑錛屽搱鍝?/p> 闅忎究鐪嬬湅錛?/strong> 紲炴帰錛屽枩嬈㈣蹇嗙紕庣墖錛屾悘鍑諱勘涔愰儴榪欑被鐗囧瓙鐨勪漢鍙互鐪嬬湅錛屽垬闈掍簯鐨勮〃婕旀垜涓漢瑙夊緱涓鑸紝鍙嶆涔熷氨 緹庡浗榛戝府錛圖enzel Washington鏂扮墖錛屽煎緱涓鐪嬶級 璋嶅獎閲嶉噸3錛堣繖涓繕鏄瘮杈冪粡鍏革紝浠婂勾椹壒杈捐挋寰堢伀錛屾暣閮ㄧ墖瀛愰潪甯哥揣鍑戯紝绱у紶鍒烘縺錛夛紝 鎴戠殑鐩涘ぇ鍚屽織濠氱ぜ錛堟棤鍘樺ごAdam Sandler錛屽幓騫寸殑紲炲閬ユ帶鍣ㄨ蹇嗙姽鏂幫級錛?/p> 涓騫村埌澶達紙楠椾簡鎴戜竴鎶婄溂娉級 C+渚︽帰 璧庣姜錛堟渶榪戝緢鐏紝鐪嬬湅鍚э級 鍝堝搱錛屼笉璁板緱浜嗭紝榪樻湁涓浜涳紝鍙﹀鐪嬩簡絎竴瀛e弽鎭?4錛屾劅瑙変竴鑸?/p> 鍓ф儏綆鍗曪紝鍗磋兘璁╀綘琛鑴夎床寮狅紝褰撶劧浣犺鍏堝繊鍙楁槅姹鐨勪竴璐枊鍠嬩笉浼戯紝鍚緱鎴戞槒鏄忔鐫★紝鎵撶畻鍥炲ご鍐嶈繃涓閬?/p> 鎬鏃ч鏍肩殑褰卞儚澶勭悊錛岀伀杈g殑澶ц吙鑸烇紝琛鑵ョ殑鎾炶濺闀滃ご錛堝枩嬈ill bill鐨則x搴旇鏄鎬笉鎬簡錛夛紝鏋侀熼杞︼紝鎷沖ご錛屾瀬搴︿孩濂嬬殑琛ㄦ壃鍜岀簿褰╃殑閰嶄箰(鍘熷0澶х涓嶈閿欒繃錛夛紝濡傛灉浣犲枩嬈㈣繖浜涳紝so... 緗椾集鐗?緗楀痙閲屾牸鏂殑鎭愭栨槦鐞冧亢涓嶅お鍠滄錛屽拰浠栦箣鍓嶆媿鐨勭姜鎭朵箣鍩庢病娉曟瘮錛屽鏋滀綘鏄痗ult鐖卞ソ鑰咃紝鐪嬬湅鍚э紝鏂吙鏈烘灙姣旇緝鐗涘弶 鍒戞埧GRINDHOUSE錛氭槸鎸囦笓闂ㄦ斁鏄爀xploitation films鐨勫皬褰遍櫌錛宔xploitation films涔熻縐頒綔grindhouse films錛屾槅姹鍜岀綏浼壒鐨勮繖閮ㄧ墖瀛愪篃鏄竴閮ㄦ鏃х殑exploitation film錛岀啛鎮(zhèn)変粬浠袱涓粡鍘嗙殑鍙兘鐭ラ亾錛屼粬浠兘鏄湪榪欑被鐢?shù)濯勭殑鐔忛櫠涓嬮暱澶х殑锛岒q朵笖鏄媯鐑殑鐖卞ソ鑰咃紝浠庝粬浠箣鍓嶆媿鎽勭殑鐢?shù)濯劄鍙互鐪嬪?/p> Exploitation film is a type of film that eschews the expense of "quality" productions in favor of making films on-the-cheap, attracting the public by exciting their more prurient interests. "Exploitation" is the show business term for promotion, and an exploitation film is one which relies heavily on the lurid advertising of its contents, rather than the intrinsic quality of the film. Exploitation films feature forbidden sex, wanton violence, drug use, nudity, freaks, gore, monsters, destruction, rebellion and mayhem. Such films have existed since the earliest days of moviemaking, but they were popularized in the 1960s with the general relaxing of cinematic taboos in the U.S. and Europe. Since the 1990s, this genre has also received attention from academic circles, where it is sometimes called paracinema. Ephraim Katz, author of The Film Encyclopedia, has defined exploitation as: Films made with little or no attention to quality or artistic merit but with an eye to a quick profit, usually via high-pressure sales and promotion techniques emphasizing some sensational aspect of the product
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